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| Version | User | Scope of changes |
|---|---|---|
| May 25 2007, 1:10 AM EDT (current) | BANGLADESH | 262 words added, 224 words deleted, 1 photo added, 1 photo deleted |
| May 16 2007, 3:35 AM EDT | BANGLADESH | 224 words added, 351 words deleted, 1 photo added, 1 photo deleted |
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Key: Additions Deletions
PyarelalI recreatesCan 70sNever magicBe inGuilty Of 'OmInsulting ShantiAnybody: Om'Himesh
The indomitableSinger-composer talentHimesh ofReshammiya musicis maestroin Pyarelal,trouble...again!This one-halftime ofit's theover imperishableobjections Laxmikant-Pyarelalto duo,the iswords about'asalaam towalequm' findin a new levelsong in Farah Khan'shis seconddebut directorial undertakingfilm 'Om'Aap ShantiKa Om'.Suroor'.Vishal-Shekhar, who'I'm steppedhere into 'Omto Shantientertain Om'people. afterI'm A.R.starring Rahmanin optedmy out,first havefilm invitedand Pyarelalhopefully toit dowill onebe songliked. asI'm anot tributehere to thehurt goldenany 1970scommunity whenor thereligion's duosentiments,' reignedHimesh told supreme.us.
'It was'The Vishal-Shekhar'swords idea.'Dua Andkaroon Isajda lovedkaroon, it,'yehi Farahmain toldkahoon, us.'asalaam 'Pyarelaljiwalequm', isare asung musicalby iconmy fromcharacter theat 1960sa andmusic 70s.concert. TheIt's firsthis halfway of mysaying film'god isbless setyou'. inThere're theno 1970s.negative Soconnotations whatat betterall. artiste'Asalaam towalequm' recreatehas thatbeen eraused in songa form?'very Thispositive spirit. I'm historicthe recordingfilm's bringingmain togetherlead, the classicsinger and the contemporarycomposer. wasSo doneit's withmy aresponsibility to make sure commodiousI liveoffend orchestra.nobody.'
'That'sA thesection wayof songspeople werehave recordedobjected beforeto thisthe new-agewords fadbeing forused instantin satisfaction.places Nowadays,of studiospleasure.
are
'I kerchief-sizedam withbeing allasked thehow I can soundsstop comingthe song from onebeing played tinyat box.discotheques. TheAll problemI was,can theresay wasis, nothe destiny of a song and recordingthe studioplaces largeit's enoughtaken to accommodateis Pyarelalji'sin hugenobody's orchestra.'hands.
Farah'For saidthe theyrest, wantedall toI bringcan livesay feelis andI didn'tcan wantnever tobe useguilty computer-producedof sounds.insulting 'Butanybody. How do I didkeep wantgetting theinto feelthese ofcontroversies, thoseyou zingytell Kishoreme! Kumar-Laxmikant-PyarelalIf numbersmy insong the'Jhalak 1970sdikhla likeja' 'Omcan shantibe om'accused inof 'Karz',inciting 'Jaan-e-manghosts, kissikathen naamanything nahin'can inhappen.'
There's also the oldmatter 'Jaan-e-Man'with andAsha Bhosle. 'MainHe aayawas hoon'seen incrossing swords with her on 'AmirZee's Garib'.''Sa Re Ga Ma Pa' programme.
Interestingly,'No. Only Farah'sthe secondpromos filmhave been getscut itsto titlemake fromit aseem hitlike Laxmikant-Pyarelalwe're tunefighting. fromI've made peace with Subhashher. Ghai'sShe has also sung a duet with me for my 'Karz'.film.'
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The indomitableSinger-composer talentHimesh ofReshammiya musicis maestroin Pyarelal,trouble...again!This one-halftime ofit's theover imperishableobjections Laxmikant-Pyarelalto duo,the iswords about'asalaam towalequm' findin a new levelsong in Farah Khan'shis seconddebut directorial undertakingfilm 'Om'Aap ShantiKa Om'.Suroor'.Vishal-Shekhar, who'I'm steppedhere into 'Omto Shantientertain Om'people. afterI'm A.R.starring Rahmanin optedmy out,first havefilm invitedand Pyarelalhopefully toit dowill onebe songliked. asI'm anot tributehere to thehurt goldenany 1970scommunity whenor thereligion's duosentiments,' reignedHimesh told supreme.us.
'It was'The Vishal-Shekhar'swords idea.'Dua Andkaroon Isajda lovedkaroon, it,'yehi Farahmain toldkahoon, us.'asalaam 'Pyarelaljiwalequm', isare asung musicalby iconmy fromcharacter theat 1960sa andmusic 70s.concert. TheIt's firsthis halfway of mysaying film'god isbless setyou'. inThere're theno 1970s.negative Soconnotations whatat betterall. artiste'Asalaam towalequm' recreatehas thatbeen eraused in songa form?'very Thispositive spirit. I'm historicthe recordingfilm's bringingmain togetherlead, the classicsinger and the contemporarycomposer. wasSo doneit's withmy aresponsibility to make sure commodiousI liveoffend orchestra.nobody.'
'That'sA thesection wayof songspeople werehave recordedobjected beforeto thisthe new-agewords fadbeing forused instantin satisfaction.places Nowadays,of studiospleasure.
are
'I kerchief-sizedam withbeing allasked thehow I can soundsstop comingthe song from onebeing played tinyat box.discotheques. TheAll problemI was,can theresay wasis, nothe destiny of a song and recordingthe studioplaces largeit's enoughtaken to accommodateis Pyarelalji'sin hugenobody's orchestra.'hands.
Farah'For saidthe theyrest, wantedall toI bringcan livesay feelis andI didn'tcan wantnever tobe useguilty computer-producedof sounds.insulting 'Butanybody. How do I didkeep wantgetting theinto feelthese ofcontroversies, thoseyou zingytell Kishoreme! Kumar-Laxmikant-PyarelalIf numbersmy insong the'Jhalak 1970sdikhla likeja' 'Omcan shantibe om'accused inof 'Karz',inciting 'Jaan-e-manghosts, kissikathen naamanything nahin'can inhappen.'
There's also the oldmatter 'Jaan-e-Man'with andAsha Bhosle. 'MainHe aayawas hoon'seen incrossing swords with her on 'AmirZee's Garib'.''Sa Re Ga Ma Pa' programme.
Interestingly,'No. Only Farah'sthe secondpromos filmhave been getscut itsto titlemake fromit aseem hitlike Laxmikant-Pyarelalwe're tunefighting. fromI've made peace with Subhashher. Ghai'sShe has also sung a duet with me for my 'Karz'.film.'
